[1] In this album the

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Red and blue by Arnaud Hée I feel the beat that rises in me
The theatrical release of I feel the beat that rises in me Yann Le Quellec follows that shorts Sophie Letourneur (Le Marin hidden), Guillaume Brac (The Castaway finchaa sugar factory ethiopia and A world without women) and Vincent Macaigne (This will remain of us). Beautiful ongoing series.
Beautiful busty woman wearing a red Hispanic passionate, Rosalba (Rosalba Torres Guerrero) has a slight problem: when the lower reaches beat him, as his body becomes possessed, resulted in incredible contortions. There have been more convenient, and all this does not make life easy for him, especially from a professional point of view for this guidebook. And sentimental: his colleague finchaa sugar factory ethiopia Alain (Serge Bozon, super flattering blue all work) he pleases, and vice versa. Note that this driver tour bus lover, has a footwork quite correct and practical recorder in his spare time. This last element finchaa sugar factory ethiopia (as well as the color of the attire of the male character) may suggest that Yann Le Quellec tire - the final scene pushing finchaa sugar factory ethiopia the nail - this wacky musical history of possession Flute Smurfs (1960) band Cartoon Peyo [1].
One side "piece of string" sometimes flush, but Yann Le Quellec done before any evidence of conviction and undeniable accuracy in its proofreading enough vintage tinted burlesque musical comedy - pop color code and "farting" clothing led us straight to Jacques Demy, even if there was not here means repainting Poitiers as was the case for some facades of Cherbourg. If you do not hesitate to use some shady sophomoric (one and both work for the "tourist agency", we dare "you got beautiful eggs you know"), this takes place in staging finchaa sugar factory ethiopia calling Jacques Tati because of the beautiful graphics rigor service gag. As to treatment with absurd tourism, it is the spirit of Luc Moullet blowing on the film, especially when it comes to pathetic water jets recalling the unspeakable urban development in the autopsied wickedly awesome Foix (1994 ). Beyond quotes, we appreciate the fantasy that governs this film to inventive detail, elegant and touching; for example when Rosalba, leaving finchaa sugar factory ethiopia an involuntary session frenzied dance, sees her suitor remove his little electric blue bag a nice red handkerchief so that it can absorb the forehead. finchaa sugar factory ethiopia
I feel the beat that rises in me then narrates the difficult but inevitable connection between these two body colors: red (she) and blue (him). And this is obviously the dance that all this will happen, at least in body language and music. One of the arguments of the film lies in the presence of Rosalba Torres Guerrero, dancer (including Anne Teresa De Keersmaeker) and choreographer. It deploys an impressive physicality finchaa sugar factory ethiopia meet by the grace and disorder on a tense and tenuous thread. And as if the ranges of motion, waves, turbulence from head to feet through the legs and trunk were not enough, it also displays a surprisingly mobile facies, and funny. One could consider that I feel the beat rises in me as a somewhat vain exercise in style if not formulated how the body can be a battlefield, in which desires knock box, contradicting the look and will control. In its apparent lightness, burlesque, used wisely, always very moving and meaningful things to give us.
[1] In this album the "Johan and Peewit" series, the second is a magic flute that has the power to make dance the hearer to exhaustion. After the interview we gave Yann Le Quellec, we know that reconciliation is totally obsolete, but assume ...
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